I illustrated this 3-piece poster in the first week of April 2015, mainly to promote the diversity of Yemen. When the 3 pieces are combined, it creates the full 6″ by 15″ scene.
At that point in time, Yemen had faced two weeks of non-stop bombing and airstrikes from saudi arabia. It is now early September, and the bombing continues.
Here is my original caption:
In recent weeks, Yemen has been in a state of anarchy, following decades of political instability and poverty since the 1962 revolution. For over 2 weeks now, Saudi Arabia has been launching deadly airstrikes over Yemen, killing over 100 civilians. The death toll of civilians and “rebels” will continue to rise until the saudi invasion ends…until saudi decides to give a damn about justice and Human rights.
#KefayaWar (“enough” war) is trending on social media by those protesting the violence of foreign intervention. It demonstrates the devastation faced by Yemenites who have lost their homes or family members by drones in the past several years, or in more recent airstrikes, whilst simultaneously sharing the beauty of this fertile mountain city (Sana’a), and the strength and resilience of the Yemeni civilians.
This piece venerates the diversity of Yemen, dating back to the Jewish presence that prevailed back in the Himyarite era. It is a nostalgic scene, but flickers hope for a brighter future in Yemen.
7 months later, the bombing has intensified and will continue.
In the last scene, you will notice I included some, erm, calligraffiti on the building. From top to bottom, it reads shlama in the Eastern Syriac (Madankhaya) script, shalom in Modern Hebrew script, and salam in Arabic script. Given Sana’a’s geographic location and influences, it would’ve made MUCH more sense to include Sabaean script, or even Amharic or G’eez script, rather than East Syriac. Or maybe I could’ve used West Syriac, or even Nabatean, rather than East Syriac. Although, I am not yet familiar enough with Sabaean or Amharic, I will have to revise this last piece and upload again!